2026 Yale Drama Series Playwriting Competition, at Yale University Press, Worldwide

Contests

Yale University Press

Posted:

August 5, 2025

Deadline:

August 15, 2025: 12:00 am

Description

The winning play will be selected by the series’ current judge, Branden Jacobs-Jenkins. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a staged reading at the Schwarzman Center at Yale University. 

There is no entry fee. Please follow these guidelines in preparing your manuscript:

  1. This contest is restricted to plays written in the English language. Worldwide submissions are accepted.
  2. Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered.
  3. Translations, adaptations, musicals, and children’s plays are not accepted.
  4. The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.
  5. Playwrights may submit only one manuscript per year. Only manuscripts authored by one playwright are eligible.
  6. Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.
  7. Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.
  8. Plays must be typed/word-processed and page numbered. Plays with images are not accepted.
  9. The Yale Drama Series reserves the right to reject any manuscript for any reason.
  10. The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.

Electronic Submissions

The Yale Drama Series Competition strongly urges electronic submission. By electronically submitting your script, you will receive immediate confirmation of your successful submission and the ability to check the status of your entry.

Electronic submissions for the 2026 competition must be submitted no earlier than June 1, 2025, and no later than August 15, 2025. The submission window closes at midnight EST.

 

Hardcopy Submissions

The Yale Drama Series Competition strongly urges applicants to submit their scripts electronically, but if that is impossible, we will accept hardcopies.

Submissions for the 2026 competition must be postmarked no earlier than June 1, 2025, and no later than August 15, 2025.

If you are submitting a hard copy of your play, the manuscript must begin with a title page that shows the play’s title and your name, address, telephone number, email address (if you have one), and page count; and, a second title page that lists the title of the play only, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please include a brief biography at the end of the manuscript, on a separate page.

Do not bind or staple the manuscript.

Do not send the only copy of your work. Manuscripts cannot be returned after the competition. If you wish receipt of your manuscript to be acknowledged, please include an email address on the title page or a stamped, self-addressed postcard.

Opportunity Overview

Organisation

Yale University Press

Category

Location

Expiration Date

August 15, 2025

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Yale University Press

Oranisation Overview

From its founding in 1908 by George Parmly Day, Yale University Press sought to acquire and publish important works of scholarship, issuing its first book—The Beginnings of Gospel Story, by Benjamin W. Bacon—in 1909. Originally based out of a cubbyhole-size office in Manhattan, the Press moved to an office in New Haven in 1910, where it could develop alongside the University. From the start, the Press set a high standard not only for its acquisitions but also for its vision of the book as object. From 1918 to 1948, all of its books were designed under the guidance of Carl Purington Rollins, later celebrated as a highly influential craftsman of the art of the book.

Perhaps the idealism behind YUP’s founding was most memorably expressed in 1920, when Clarence Day—George Parmly Day’s brother, and a partner in the establishment of the Press—issued this declaration: “The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall, nations perish, civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead.”

During its first half-century—known as the George Parmly Day era, for it was Day who presided over the Press throughout those decades—the Press augmented its list of individual titles with several notable series, including popular compact illustrated histories known as The Chronicles of America, as well as the single most popular and well-known series of the era, The Yale Shakespeare, which, from 1918 to 1929, presented all of Shakespeare’s plays in small, low-priced hardcover editions. (Revised editions appeared in the 1940s and 1950s, and a new series, The Annotated Shakespeare, began in 2003.)

In 1919, the Press launched the Yale Series of Younger Poets, which has continued without interruption ever since. This celebrated series—an annual contest, award, and publication of a first book of poetry by a poet under forty—is regarded as the most important poetry award in America and has introduced such distinguished poets as James Agee, John Ashbery, Carolyn Forché, Robert Haas, John Hollander, M. S. Merwin, Ted Olson, Muriel Rukeyser, Adrienne Cecile Rich, James Tate, and Margaret Walker, to name only a few of the many who have gone on to extraordinary careers. After the 1961 Younger Poet, Alan Dugan, saw his winning volume, Poems, published in the series, that book went on to win both the Pulitzer Prize and a National Book Award. The acuity of the selections made for the series is not accidental: through the years, the Press has recruited major poets to serve as judges, an honor roll that includes William Alexander Percy, Stephen Vincent Benét, Archibald MacLeish, W. H. Auden, Stanley Kunitz, James Merrill, James Dickey, and Louise Glück.

The ambitious nature of the Press’s mission also manifested in its willingness to take on decades-long multivolume projects based on enormous scholarly efforts, such as the forty-eight volume Yale Edition of Horace Walpole’s Letters, produced between 1924 and 1982; the nine-volume Bibliography of American Literature, published for the Bibliographical Society of America, produced between 1955 and 1991; and the fifteen-volume Yale Edition of the Complete Works of St. Thomas More, produced from 1963 to 1997. Others are still ongoing: there have been eighteen volumes in the Yale Edition of the Works of Samuel Johnson, begun in 1955; twenty-five volumes of The Works of Jonathan Edwards, since 1957; and thirty-seven volumes in the magisterial The Papers of Benjamin Franklin series, in partnership with the American Philosophical Society, since 1954. Other long-running series that continue more than a half-century after their inception include the Yale Judaica Series and the annual Psychoanalytic Study of the Child.

From early on, several of Yale University’s endowed lecture series, including the Terry Lectures, Silliman Memorial Lectures, and the Storrs Lectures, yielded important and enduring books, among them The Heavenly City of the Eighteenth-Century Philosophers (1932), by Carl Becker; A Common Faith (1934), by John Dewey; The Realm of the Nebulae (1936), by Edwin Hubble; Psychology and Religion (1938), by Carl Gustav Jung (named a Book of the Century by the New York Public Library); The Nature of the Judicial Process (1949), by Benjamin N. Cardozo; The Meaning of Evolution (1949), by G. G. Simpson; The American Mind (1950), by Henry Steele Commager; and Psychoanalysis and Religion (1950), by Erich Fromm. The diversity of the subject matter in even this extremely short sampling of titles not only reflects the intellectual excitement of Yale University’s lecture series, which continue today to generate important books for the Press, but also suggests the broad array of subject areas embraced by YUP even in its early years.

Among the most remarkable publishing successes of the Press’s first half-century is The Lonely Crowd (1950), by David Riesman with Nathan Glazer and Reuel Denney, a book that reached a vastly wider audience than anticipated, introduced the terms “inner directed” and “other directed” to the general public, and became by some counts the best-selling book in the history of American sociology. An even larger success occurred a few years later, in 1956, when Yale published, posthumously, Eugene O’Neill’s Long Day’s Journey into Night. With a standing-room-only opening on Broadway, three Tony awards for 1957 (including best play, best playwright, and best actor), and an unprecedented fourth Pulitzer Prize for O’Neill, Long Day’s Journey into Night became the fastest-selling title in YUP’s history, and its continuing status as a classic has kept it among the Press’s most perennially successful books.